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Overseeing the Cape Canaveral operation is William Raukhorst, the manager of KSC TV. It's live, but instead of one destination, it has to serve many different purposes. There are DVDs of the footage as well, and there's a YouTube channel where packaged footage us uploaded for the public to revisit later.
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The feeds they provide are digitized and compressed to at least three different formats and available for direct download in the press room just minutes after they finish.
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NASA TV provides direct hookups to other media for each of the cameras they use to create their feed. Not only is it responsible for showing the world each launch on the NASA TV cable channel, they also do live streaming of their program. This is because it's taxed with so many different, but simultaneous tasks. It's hard to apply traditional "Live TV" thoughts to NASA TV. The KSC TV production truck NASA TV and Live TV There are also offices at the Johnson Space Center, Goddard, and at NASA TV headquarters in Washington D.C. This is the team that I interfaced with for the launch of Shuttle Endeavour.
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The NASA TV office at the Kennedy Space Center is KSC TV. NASA TV has production centers at various NASA centers. I had the opportunity to attend the launch on a media pass and get to meet some of the key personnel of NASA TV. The shuttle is completing its 30-year run as America's main transport into space. The NASA TV crews have the production of the shuttle launch program down to a science. I had the opportunity to see NASA TV in action with the April 29 scheduled shuttle Endeavour launch from Kennedy Space Center in Cape Canaveral, Florida-a location and event very few get to see in person, but a select few get to see very often. Sporting events even wait for the commercial breaks.īut what if the live event was not stoppable, not repeatable, and the video crew was completely separate from the event itself, like a fly on the wall, but responsible for bringing the event live to the world? Well, that's what NASA TV does every day. In most cases, the video crew has some control over the event-you can choose your positioning or alter the lighting scheme (within reason) at a wedding reception, and at a speech or corporate event, you can talk to the audio engineer to bring up the podium mic a little louder. The nature of live events runs the gamut of a simple podium speech, to larger events such as weddings, to multicamera live concerts or sporting events with IMAG and/or live streaming.